Emiliano Deferrari: Monty

Date:September 24, 2018 3:35 pm

EMILIANO DEFERRARI: MONTY

Italian multi-instrumentalist and composer Emiliano Deferrari talks with Big Blend Radio about his third album “Monty,” as well as his songwriting process, music career, and international travels.

“Monty” is the new album by Italian music artist Emiliano Deferrari. Conceived, written and recorded in Brussels, Belgium where he has lived since 2015, the album was recorded between November 2016 and September 2017 at his Monty Studio. It was mixed in Valencia, Spain by Matteo Nahum, music composer, film scorer and musical partner of Emiliano, in their art-rock oriented project Nanaue. Finally, it was mastered in Brooklyn, NY by internationally acclaimed drummer, bass player and sound engineer Nate Wood.

All songs are written by Emiliano with Italian lyrics. Emiliano plays all instruments heard on the tracks (piano and keys, fretless bass, drums, classical, acoustic and electric guitars, violins, pocket sax, voices and programming), like on all of his solo releases. Three different masters were made for the CD/downloads, the vinyl and a special “mastered for iTunes” version. The cover photo for the album was shot by celebrated Italian visual artist Pietro Fortuna. The album is produced for Emiliano’s personal label Rattsburg Records.

Says Emiliano, “In 2016, after 1 year of life in Belgium, I started producing music with a new mood. I recorded and published 2 new singles with Nanaue, one of which, “As Love is Naked,” was featured on the English movie “Hanging In There.” During the recordings I realized that my last solo work was in 2010, so I closed myself in the studio for long writing sessions.  Most of the songs came out in less than a month, and for the first time in years, I used Italian lyrics. I also wanted to use the voice differently, to underline the visions portrayed in the lyrics. The lyrics are in general brief, with cut-ups and direct speech, helping expressing the two moods of the album.”

As for the album’s concept, Emiliano explains, “The album describes a slow descent into hell, followed by a slow resurgence in search of a balance between the diverting forces, attitudes and wills of a man. It is evidently an autobiographic representation of the common states of mind of mankind. As always the place in which the album is recorded affects the music. The recording studio is inside the old Brussels cinema studios Sonart, in a room which still keeps the original audio isolation and some of the equipment. It was a great place to concentrate and listen to one’s deafening silence. After an experience like that, it is crucial to find your balance, to reset your mind and body.

“Throughout the album, sounds and instruments perform specific and recurrent characters of the play (the acoustic drums represent the human unpredictable touch, while the drum machines represent the mantras we use to fine-tune our weighted minds; brasses represent Brussels, or more precisely remind of the band’s parade of James Ensor’s ‘Christ’s Entry Into Brussels’. It is quite easy to divide the album into two parts, the first part is jazzier with improvisation, while the second is mainly rhythm driven, with recurrent chorus and mantras making the last song ‘Fuoco’ (fire), the musical zenith of the album. There is also space for improvised drones (the short intro ‘Aria’, made with looped guitar effected with mellotron-like sounds), and a classical guitar piece, the eponymous ‘Monty’ (disturbed by field recordings of a tram).”

Everything was recorded and premixed by Emiliano in solitude. Tracks were passed to Matteo Nahum in Valencia, where he spent November and December 2017 mixing creatively. “He knows me very well, as we work together since 2008, and he could get the best of the tracks. I credit him in every song for his work at the mixing desk, as it was crucial for the album, like an added musician. As well crucial was the master by Nate Wood. I had already listened to his great masters of the albums of Donny McCaslin, Kneebody and Tigran Hamasyan, so I am honoured he accepted to work for ‘Monty’.”

When it came to find a name and a visual identity for the album, “I had my studio in mind, and Monty is the nickname of Montgomery, the area of Brussels where the studio is. I wanted the cover to show what I could see every day from the window in front of the recording booth. Pietro Fortuna was so nice to shoot a photo for the cover and the Italian film-maker Alessandra Populin directed the video-clip of ‘Fuoco’.”

Emiliano was born in Genoa, Italy, in 1977. He started playing guitar at 6 and recording his own music at 11. He played and sang jazz, rock and world music with different bands in Italy. In 2005, after settling in Rome, he produced his first solo album “SO_LO” with Rattsburg Records, and received good reviews. He started touring Italy with his solo show, and then between 2007-2011, toured as The Loop Duo with Adriano Arena, with guitars, voices and live loops, producing an album (THE LOOP DUO/BMA and Rattsburg, 2009). Between 2009-2010, he produced a new EP (O.S.T./Rattsburg, 2009) and LP “LIGHT EARS” (Rattsburg 2010). Since 2008 he’s been working on the project Nanaue with Matteo Nahum. Between 2011 and 2017 they published 8 singles (Rattsburg Records and Gutenberg Music) and 1 album (Nanaue/Gutenberg Music, 2013) plus 3 recordings for tribute albums of Italian prog label Mellow Records. In 2014 Emiliano moved to Brussels, Belgium. In September 2017 he re-published his seminal album “Small Engines” (2002, Rattsburg).

2018 is the year of “Monty”! More at www.EmilianoDeferrari.com

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